Critics writing about Pantera fall over themselves in search of adjectives to describe the fiercely independent foursome: "Boot kicking" "A Metal massacre" "Crushing" "Searing" - the list goes on and on. Log onto the numerous websites manned by rabid and loyal fans, and you'll find chat rooms filled with their own testaments of faith to the band: "They never sold out." "They're as heavy as shit." "They always speak their mind." "They don't give a flying fuck about any of the others." But ask Philip Anselmo, the charismatic, often merciless frontman of Pantera about his take on their success and you get the true, living, breathing definition of this uncompromising phenomenon. "We've survived every fucking trend. Heavy metal, grunge metal, funk metal, rap metal - and we're still here. We put everyone on notice that we don't fuck around. Our fans know we're true right down to the fucking core.
"Now, with Reinventing The Steel, their first studio album in four years, Pantera can once again let their music do the talking, and, as one writer has already noted about the band: "You can hear them coming a mile away." The new disc, following on the heels of 1997's gold-selling live opus, Official Live: 101 Proof, reverberates with a depth and intensity that secures Pantera's rep as the cream of modern metal.
"We took more time on this album, much more time," says Vinnie. The album was crafted in their own home studio in Texas, with the band also anointing Vinnie and Dimebag Darrell as sole producers on this one. Terry Date, who has helped guide their four other studio albums, agreed it was time to let Vinnie and Dimebag fly solo on this effort.
"He was real cool about it," says Vinnie. "This just seemed like a natural progression to let us have a go at it. We were able to concentrate and work at a steadier pace, going in for a couple of days a week. It gave us a better perspective on what we were trying to achieve."
And though Vinnie is reluctant to describe the songs on Reinventing The Steel, Phil's riveting bolts of passionate, in-your-face vocals are again faithfully discharged under the familiar Pantera squall of Dimebag's guitars, Vinnie's drums, and Rex's deft bass playing. "It was great having Vinnie and Dimebag producing," says Phil. "We were able to come in and do our thing with none of the pressures. 100% bullshit proof. The evidence is in the music. We've been through so much together you can just feel the energy that went into making this album." Soulfully brutal tracks like "Revolution Is My Name," and "We'll Grind That Axe For A Long Time," pulse with the restless angst fans have come to expect, but soar, as well, under the steady hands of Vinnie and Dime. '"We'll Grind That Axe' is in a way, our motto," says Phil. "We'll keep fucking kicking ass, giving our all, until we can't fucking do it anymore. Our fans can breathe fucking easy - we're back."
As if they ever left. Pantera's incredible rise to the top of the metal heap has been nothing short of miraculous when you consider they've made their historic climb with virtually no radio support or MTV exposure. With 4 platinum albums under their belt, 3 gold home videos and 2 Grammy nominations, Pantera are just beginning to garner the recognition they deserve. Relentless touring since 1990's breakthrough album Cowboys From Hell, has seen them go from local Texas phenoms to mortifying trailblazers of the legendary Ozzfest. Touring with their idols was one of the highlights of Pantera's career. One of the most hellraising songs on the new disc, "Yesterday Don't Mean Shit," was penned on their most recent run on the Black Sabbath Reunion Tour. "It was the first song written for the new album," says Vinnie. "I think it establishes the code."
That code has held Pantera well through what many consider their classic album, 1992's Vulgar Display Of Power, to 1994's #1 Billboard debut Far Beyond Driven, to their most recent studio effort 1996's The Great Southern Trendkill. (TGST was the first album recorded at their custom built Texas studio.) "It makes all the difference in the world," says Vinnie. "We totally control our own destiny now. And that's just the way we want it."
The band's relentless touring and fierce dedication to their fans have inoculated them against the usual trappings that have brought down other metal bands, making them the standard-bearers for integrity minded rock.A crown that came naturally, says Vinnie: "We don't ever try to be anything we aren't. The bond between us and our fans can't be broken because they see themselves up there when we play. You can never fake that."
PANTERA USES AND ABUSES:
Washburn "Dimebag Darrell Signature Series" and Culprip monster Guitars, Randall Warhead Amplification, Ampeg Amplifiers, Spector Basses, Fender Basses, Pearl drums, hardware & pedals, Sabian Cymbals, Vic Firth Drumsticks, Dunlop pics, Nady Wireless, Morley Pedals, Neuman Tackified Gloves, Zon Straps, Dr. Strings,Dean Markley Strings, Shure Brothers Microphones & Accessories, Furman Technology, Spectraflex cables, Digitech, Korg, Rocktron, goodies from Production Supply, Art Signal Processors, Hafler Power Amps, Rockford Fosgate Car Stereos, All kinds of Mackie stuff, Converse, Crown Royal, Seagrams 7, Wild Turkey, Coors Light, St paulie Girl, Beck's Beer, Zig Zag Papers, Free weed from fans, casinos and titty bars.
2nd To None Broadcasting Network, LLC is a Licensed Company in the State of Arkansas
REVORADIO 104.1 FM / 2ND TO NONE BROADCASTING NETWORK,LLC IS A ROYALTY LICENSED PROFESSIONAL BROADCAST :
2ND TO NONE BROADCASTING NETWORK,LLC / REVORADIO 104.1 FM IS A ROYALTY LICENSED PROFESSIONAL BROADCAST (ASCAP) (BMI) (SESAC) (SOUNDEXCHANGE)
Revoradio 104.1 Fm And All Revoradio Show Names And Logos Are Trademarks And Copyrights Of 2nd To None Broadcasting Network,LLC ,All Rights Reserved. All Other Shows And Logos Are Trademarks and Copyrights Of Their Owners And Are Used With Permission.This Site Holds Copyrights And Trademarks.Nothing On This Website Can Be Reused Without Permission From Site And Company Owner.